The Easel

9th June 2026

Marilyn Monroe at the National Portrait Gallery – the woman who became a masterpiece

This “riveting” show of Monroe portraits begs the question – is there any more to learn from yet another show?  The answer, it seems, is that we want to know the “real Marilyn”, not just the skilled actress and dazzling photographic creature. One writer says that she “anticipated the postmodern world and the age of Instagram, in which the self could be redefined [into multiple] identities”. The huge effort to create those identities required “dignified resilience … whoever she was, Marilyn lives.”

2nd June 2026

I lived near a serial killer’: Steven Shearer on turning teen angst and death metal into high art

Living in Vancouver and predisposed not to talk to the press, Shearer has built a reputation without attracting much notice. He is now “a star”, due particularly to his colourful, intense “lonesome” portraits of long-haired youths. He draws on media images that are then mashed up with allusions to German Romanticism. Are they “part-autobiographical” asks the writer. Says Shearer, “I guess you’d call them a kind of imagined portraiture”.