The Easel

10th November 2026

Light and Magic at Tate Modern – why turn a photograph into a painting?

Once photography emerged in the 1820’s, a debate started about whether it was art. Pictorialism was one response to that debate. Spread through camera clubs across the world, it advocated for photos that looked like … paintings. That meant “the darkroom, not the lens” was where the magic happened. For example, images of ballet dancers were made to look like Degas’ damsels. But why bother? By the time some of these images were made photography was already “its own kind of art”.

3rd November 2026

‘A way of celebrating presence’: What Botero’s rotund remakes of classical masterpieces tell us about art history

Botero always pushed back at suggestions he painted “fat” people. He was, he explained, painting figures “with volume in mind”. Was this the influence of pre-Colombian art from his homeland that featured rounded forms, or simply an attraction to giving the ordinary a “monumental quality”. Either way, he celebrated voluptuous womanhood and rotund blokes in a non-sexualised, non-judgemental way. Adds one writer, Botero’s art is “unsettling as well as sensual … it forces us to think about life as well as art”.