So-called “outsider” artists are rarely shown in museums. The outsider label implies that these artists “lack the agency or self-awareness of their educated peers.” An outstanding Washington show reveals that such art actually has “overwhelming strength. By showing us the dazzling pluralism of the past century [the show weaves] a richer tapestry of American art history.”
Bauhaus – perhaps the most hallowed name in architecture and design – espoused an egalitarian modern life. On closer examination, a new book argues, it actually pursued “an elitist, aristocratic notion of taste.” This contradiction hastened the school’s demise but its wonderful modernist ideas lived on, eventually finding a market – in distant, wealthy post-war America.
Elegant background essay on an artist who, in the blink of an eye, has gone from ‘recognised’ to ‘high profile’. Taylor’s portraiture is wildly divergent – from the famous to the homeless. Its common thread is “the African American aesthetic tradition” and his empathetic eye. Smith puts it succinctly “Other people look: Taylor sees”.
The former Yugoslavia ended badly. Yet, after its expulsion from the Soviet bloc, it enjoyed an optimistic outlook. The architecture was remarkable, a far cry from the drab constructions elsewhere in Eastern Europe. There was “an abundant presence of design culture… in a socialist country. It was an aspect we tended not to see.” More images are here.
Kingelez desired a glorious future for Kinshasa. It inspired him to build imagined utopian cities out of cardboard, Styrofoam and scavenged materials. His “extreme maquettes” display “the rigor of an aesthetic as sophisticated as that of an Alexander Calder or a Joseph Cornell … [and possess] the invincibility of uncompromised, unflagging, sheer desire.”
As the AIDS crisis emerged, Wojnarowicz was highly critical of government inaction. His angry, self-taught art made him an unconventional star before he too succumbed to AIDS. Does his art transcend its 1980’s moment? Most of the numerous reviews think so. A more personal assessment of the artist, by his biographer, is here. More images are here.