The Easel

7th April 2026

‘New Humans’ and the Strange End of Contemporary Art as We Know It

The New Museum’s post-renovation show frames our current moment as one of “existential questioning”. Are we being replaced by algorithms or robots? Will our future be better with yet more technology or perhaps less? Many writers wonder what forms the new art will take but this sort of questioning surely isn’t new. It’s exactly what modernism was about. This writer offers up his description of the new art to come – “works that uniquely activate your sense of being a body in physical space with others”.

1st April 2026

Raphael at the Met, Review: A Must-See Show the ‘Greatest Influencer’

Critics don’t really review this show, they simply murmur reverences After apprenticing in Urbino and an uneventful stay in Florence, Raphael found fame in Papal Rome. His paintings, alongside drawings, tapestries and architecture, had “remarkable narrative force” and conveyed “an earthbound humanity that was [previously] missing”. Says the curator, he was fully the equal of Leonardo and Michelangelo.. Vasari, writing in 1550, said “nature created [Raphael] as a gift to the world”. Sounds about right.