The Easel

5th October 2021

Judith Joy Ross’s timeless and empathetic portraits

Ross’s acclaimed portrait projects can be years long – members of Congress, people at Washington’s Vietnam memorial, Pennsylvania school pupils. They are mostly formal compositions, set in unremarkable locations. What makes them stand out is their emotional acuity, the ability to reveal a private self. Ross has that ability to connect with her subjects: “I know I’m being delusional. But I like to think I’m capturing the real thing.”

28th September 2021

Frans Hals: The Male Portrait, review: pale, stale, male – and exhilarating

Hmm – a show exclusively of male portraits! The curatorial rationale is to celebrate the “astounding originality” of Baroque portraitist Hals and his masterpiece, The Laughing Cavalier. Done in 1624, the painting is a tour de force of vivid personality, showy fabrics and “27 [shades] of black”. Hals “revolutionized” portraiture with strategies that made his subjects “immediate, sparky, and natural”.