The Easel

26th November 2024

San Francisco MoMA — Amy Sherald: American Sublime

Because of her acclaimed portrait of Michelle Obama, one might assume Sherald is a portraitist. Mostly, it seems, she is not. Her “luminous figurative compositions” are usually done using models and they tell stories Sherald has imagined. Taking a lesson from social media, her pictures use detail and nuance to project a narrative – about black people and about American-ness. “Sherald’s subjects keep themselves to themselves … less concerned with how they are perceived than with their own imagination”.

19th November 2024

An Indigenous Modernist Painter Finally Gets Her Due

What is the relationship between modern art and indigenous art? In the case of Sully, a self-taught Dakota artist, she simply combined them. Her “personality prints”, three panel works inspired by celebrities of her day – placed modernist geometric patterns next to Native imagery. They are not a synthesis of those aesthetics but certainly are a harmonious “layering”. Says a family member, “she was a Native person exploring modernism. [Her art is not] traditional, and it’s not an unfettered cosmopolitanism.”