The Easel

14th May 2024

The indestructible art of Frank Stella

Stella was devoted to abstraction but not abstract expressionism. He felt the latter presumed its own spiritual greatness. So, he started making austere black striped paintings – among the first minimalist works – and found instant acclaim. That style, along with many others, was discarded in a career full of reinvention. Despite being seen as an art world “god”, Stella’s advice about his own work was to avoid interpretation, “what you see is what you see.” An obituary is here and a light hearted interview with Stella is here.

Joan Jonas

Jonas trained as a sculptor but, in the 1960’s wandered into dance, seeing little difference between “a poem, a sculpture, a film or a dance”. Those explorations helped establish video and performance as recognised art forms. Her view was that these were just extensions of traditional storytelling, for which she developed modes of “technologized sorcery” including an alter ego, the “seductress Organic Honey”. Her first major retrospective offers “an experience of unexpected sculptural and scenographic power”.