The Easel

12th March 2024

Essay: Between machine and eye

Photography has, at times, struggled to be taken seriously as a form of high art. Point-and-click capabilities have democratised the medium – anyone can take a picture, right?  As if to make this image problem worse, the acclaimed Lee Friedlander says he doesn’t have any great ideas. Why then are his images utterly compelling?

Asking “exactly how much [an image] was an accident or not misses the point. Friedlander knows how to look when something interesting is happening. He trusts himself to point the camera and click. Why is he so much better at doing this than most of us? It’s impossible to say. The genius of Friedlander’s photography is to let the camera have its own ideas.”

A Hidden History of Europe’s Pre-Modernist Women Artists

Linda Nochlin’s famous 1971 essay queried the absence of great female artists. Since then, art history has re-discovered many of them and, in some cases, greatly elevated their status. Artemisia Gentileschi is but one example. A survey of female artists reveals plenty of “genteel amateurism”, which only speaks to the many women who, feeling thwarted, pursued various “sub-artistic” crafts. This show also reveals that whether an artist chose painting or craft, talent has a way of showing through.