The Easel | Art journalism

11th June 2019

Natalia Goncharova, Tate Modern review – a prodigious talent

Sarah Kent | the arts desk | 5th June 2019

Can an artist be too diverse? Goncharova’s vast output was surely, in part, a reflection of her life. Raised in not-quite-modern Russia she made folkloric-styled modernist paintings and books. Her later life in avant garde Paris brought acclaim for her costumes and sets for Ballets Russes. “Everything she did was fully realised and extremely powerful, yet … she remains enigmatic.”

4th June 2019

Brancusi and America

William Agee | Art in America | 1st May 2019

Brancusi felt a debt to America, its openness to the new. In return he has been “the fountainhead” of American sculpture. Listing his undoubtedly numerous innovations tends to obscure where his true greatness lay. An earlier critic is more specific – “his rapturous feeling for surfaces … [and endowing] his forms with something of the clarity and finality of law”.

Brancusi Constantin modernism New York sculpture USA

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