The Easel

15th September 2026

Ileana Sonnabend: a taste for the unexpected, a life in contemporary art

Sonnabend was one of a tiny group of art dealers who can be said to have influenced the direction of art. After dabbling in art in post-war New York, she opened a gallery in Paris in 1961, introducing contemporary American art to Europe. Moving back to New York in 1971 she introduced an astonishing, “daring” rollcall of major artists. Such was her judgement that Rauschenberg said, “I never finished a painting without wondering what Ileana would think of it.’ Said Sonnabend “I only want what I don’t like”.

Alina Szapocznikow: Autobiography in fragments.

As a teenager Szapocznikow survived a Nazi concentration camp. Her later sculptures never revisited that trauma directly. She was acclaimed for figurative abstractions, casts of legs, arms and breasts presented as if they were found objects. They spoke to the body’s “devastating confrontation” with life while also affirming its “continued capacity to feel and to love”. Her final work, made following a cancer diagnosis, was Szapocznikow‘s statement that “the body remains the ultimate measure of human experience”.