The Easel

9th December 2025

Five Ways of Looking at Wifredo Lam

Lam’s work has long perplexed the art world. Born in Cuba, he moved to Spain in his early 20’s to study art. Eighteen years later he returned, wanting to blend cubism and surrealism with a Caribbean sensibility. La Jungla, his acknowledged masterpiece, does just that, placing figures amidst sugar cane and jungle foliage. Lam said the work was “an act of decolonisation … in a mental sense”. He gave “a mystical presence to [everyday] scenes”. Says a curator “There’s so much that remains to be [understood]”.

2nd December 2025

Recollecting Forwards

Siesbye happily agrees she makes nothing but ceramic bowls. Her unadorned pieces reflect ancient Anatolian forms with a modern Scandinavian overlay. Why does such seemingly plain work get so much acclaim? Partly it’s their refined designs with tiny bases and flowing lines. More though, it’s their beguiling simplicity. As Morandi (a Siesbye favourite) demonstrated “there is nothing more complicated than simplicity.” Siesbye notes the ultimate form of her work is “decided by the clay”. Images are here.

Jennifer Packer: Dead Letter

Packer is a rising star in American art, enjoying solo shows and major awards early in her career. Her latest exhibition showcases her portraiture. It’s “a memento mori” says one writer,  “what traces [people] leave after they are gone”.  That seems apt, Packer having recently suffered a personal loss. In one work “two perfectly rendered feet touch the ground. Meanwhile, the figure drifts upward and away. Packer’s layering —of paint, gesture, and meaning— mirrors the complexity of mourning.”