The Easel | Art journalism

14th October 2025

The sublime and silly art of Sèvres

Rachel Hunter Himes | Apollo | 9th October 2025

China had a monopoly on fine, durable porcelain until around 1710 when Meissen cracked its secrets. Sèvres was close behind. To secure Sèvres’ know-how, Louis XV made it a royal enterprise and it has since become a byword for refined taste. Curators regard its high-end pieces as sculpture – no surprise given that they were intended for the tables of imperial clients. These were items of exquisite taste as well as a projection of French state power. Eye candy of the highest order. More images are here.

Rauschenberg’s New York and the problem of seeing only surfaces

Samuel Abrahms | newgeography | 26th September 2025

A spate of exhibitions mark Rauschenberg’s 100^th anniversary. The fact there are so many shows is testimony to his diversity – painting, photography, collage, assemblage. Not all this work was of high quality, but it was always inventive. His photography, for example, was skilful but really stood out when incorporated into his complex, layered work. In that aspect, Rauschenberg was prescient, his fragmented urban imagery anticipating today’s “civic crisis”.

New York photography Rauschenberg Robert USA

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