The Easel

17th February 2026

Eugène Atget, Readymade Icon

As Paris modernised, Atget had the idea of photographing the old cluttered parts of the city.  It turned into a 30-year project. He didn’t think of himself as an artist, describing his images merely as “documents”. They were utilitarian is style, notably views of buildings taken around dawn when the streets were empty. Somehow those quiet images felt unsettling. Few of his photographs were printed in his lifetime but Atget is now regarded as a “precursor of modern photography”.

“Gainsborough: The Fashion of Portraiture” Goes on View At The Frick Collection

When Gainsborough moved to Bath, his studio was next door to an upmarket health spa where he could observe the latest fashions. Those fashions can now be seen to have reflected important social changes. Britain’s wealth accumulation in the later 1700’s was immense, due to slavery, plantations, banking and factories. A new middle class wanted what the aristocracy had, including beautiful clothes and flattering Gainsborough portraits. It seems he tired of all the “upward striving”, calling it “the curs’d Face Business”.

10th February 2026

German Expressionist Gabriele Münter Finally Gets Her Moment in the Spotlight

Before the drama of her painting career, Münter tried photography while visiting the American south. Returning to her native Munich she began painting and was caught up in the tumult of modernism sweeping Europe. She and Kandinsky founded the legendary expressionist “Blue Rider” group. Her vibrant colors and simplified forms exemplified their belief in colour as a language of emotion. Once a leading inter-war artist, Münter has since been relegated to merely Kandinsky’s lover.