The Easel

5th August 2025

Marley and me: ‘I had initiative – and Bob sensed that’

Hanging around a concert hall, a very young Morris meets Bob Marley, is invited on tour and produces classic images of the reggae and (subsequently) punk band era. In parallel, Morris photographed his Black community in working class London. Besides his fine compositional instincts, Morris’s images combine documentary, reportage and portraiture. They have a sense of intimacy and ease. “It’s clear Morris loved being in these places with these people, and they loved him back”.

22nd July 2025

From Syria to Mayfair via Berlin: Marwan gets the blockbuster treatment with Christie’s exhibition

A rarity – coverage of an Arab artist. Syrian-born Marwan studied in Berlin, but then stayed on, becoming a key figure in the ‘new figuration’ movement. It provided context for his obsession with the human face, variously shown in traditional portraits, obscured by cloth or represented in “face landscapes”. This variety reflected his hybrid background – Berlin and Damascus. Says one writer, Marwan’s art was “a step toward a contemporary Arab modernism.”