The Easel

21st September 2021

Helen Frankenthaler: Radical Beauty, Dulwich Picture Gallery review – adventures in print

Frankenthaler has long borne criticism that paintings as pretty as hers cannot be serious. What about her woodblock prints? Described as “visions of overwhelming beauty”, they have a familial link to her paintings. Woodblock printing is complex and signs of the technique, such as wood grain, add surface texture and ‘dimensionality’ to a work. By accentuating such effects, an evidently serious Frankenthaler achieved “a paradoxical distillation of all that is painterly”.

14th September 2021

How Paul Sandby painted Britain as he saw it

This profile of Sandby, an early Romantic era British artist avoids an obvious question – was he second-rate? Trained as a draftsman, Sandby made his name as a watercolour landscapist. Turner, younger by a just few decades, brought drama and emotion to landscape painting. Sandby brought … accuracy; he showed the facts of a landscape. When art history considers which artists should be deemed great, skill is perhaps necessary but is certainly not sufficient.