The Easel

Frank Bowling, an overlooked star of British art’s golden generation

Bowling’s first retrospective has critics puzzled as to why he has been so long ignored. Is it race (he is from Guyana), his unfashionable abstractionism, or perhaps his avoidance of a signature style? Recognition from the London art establishment has been scant – New York has been more welcoming. Not that Bowling has been put off at all – “I still get a lot of juice out of abstraction.”