The Easel

1st September 2026

Mary Heilmann, Who Revivified Abstract Painting, Dies at 86

After training in California and a brief foray into ceramics, Heilmann moved to New York intent on “making it big” in sculpture. She didn’t, and in 1969 took up the supposedly dying medium of painting. Her “proudly unpolished” abstractions poked fun at the serious geometries of minimalism while radiating a “joyful humanity”. She continued to “uncork strange delights” until institutional recognition finally arrived in her late-60s.  Heilmann had “one of the defining art practices of her era”.

In Sioux City, Disparate Visions of the American West Converge

Before he painted his iconic “American Gothic” in 1930, Wood did a large mural of an autumnal Midwest corn field. Once regarded as merely an “artifact”, a restoration reveals it is a major work that depicts rural abundance. It marked Wood’s growing interest in Regionalism, an art movement focused on realist agricultural landscapes. Nowadays, Regionalist works anchor more contemporary art that addresses the “weighty emotions” rural Americans carry as they pursue “a successful modern life “.