The Easel

28th April 2026

Marcel Duchamp at MoMA: Five Revelations From the Artist’s First North American Survey in Over 50 Years

Duchamp is elusive. He lived life, says a writer, “on the cloud of his own airy wit”. Yet he was serious about art, proposing that the idea behind a work can be separate from the work itself. That idea has proved immensely influential, liberating artists to go off in all directions. It is a foundational argument to “dissolve the boundaries between high and low culture.” Further, it foreshadows a “techno-imagination”, images that are constructed to encompass machines and their increasingly central role in human life.

Zumthor earns his L.A. stripes

The new LACMA building was once called “suicide by architecture”. Now, after 20 years of work – and $724m – it is open. Despite fatigue from those years of controversy, reactions are unexpectedly positive. Yes, the concretework is imperfect. Bold artworks look great but smaller works can seem overwhelmed. Nonetheless, it is a fresh approach to the relationship between architecture and the display of artwork. “I can’t think of another museum building that operates quite this way.”