The Easel

8th March 2022

Why was Jacques-Louis David so determined to keep his drawings to himself?

David was the “de facto official painter of the French Revolution”. His stern paintings shaped public perceptions of those dramatic events and then Bonaparte’s reign. Not only did he freely deploy art as propaganda, but his severe neoclassicism helped finish off frivolous rococo, setting French art on a new path. The clarity David achieved in his paintings owed much to detailed preparatory drawings – and a willingness to make his art unmistakably political.

Revisiting Robert Mapplethorpe’s Years on West Twenty-Third Street

An essay about Mapplethorpe, yes, but also an elegy to the artistic milieu of New York’s West Twenty-Third Street. Writers, artists and musicians rubbed shoulders with ordinary workers and “more marginal types”.  By the time he shifted from No. 21 to No. 35, Mapplethorpe was a celebrity … with AIDS. His birthday party in November 1988, his “final extravagant act”, was attended by actors, royalty and gallerists. “Death be dammed …  Robert made a silent wish and blew out the candles.”