The Easel

13th April 2021

Curator Laura Hoptman Reflects on Meeting Artist David Hammons and Organizing New Show at Drawing Center, the First Museum Exhibition Dedicated to His Body Prints

Despite being personally reticent and his work being enigmatic, Hammons is “America’s most important living artist”. The virtue of the linked piece is that it addresses a new show of his iconic body prints. An overview of his work argues that these body prints communicate a sense of black “vanishment”. Hammons has subsequently addressed “blackness” less directly – his art is still about black identity, but “blackness is both everywhere and nowhere”.

6th April 2021

Feminist art historians get Artemisia Gentileschi wrong

Los Angeles’ Getty, which can afford whatever it pleases, has purchased a newly discovered Gentileschi. Gentileschi’s celebrity is so recent that her oeuvre is “a mess”, with attribution of key works still in dispute. Is the ‘frenetic” enthusiasm just because her assertive female protagonists appeal in our #metoo moment? “All this exaggeration … is truly a shame because Artemisia’s talent was real”. The Getty collection now boasts two oil paintings by female artists!