The Easel

30th June 2026

MC Escher, the wizard of weirdness who inspired Pink Floyd — and me

How do we classify Escher’s work? He started out with architectural and townscape drawings until, in 1936, he visited the Alhambra. That changed everything, starting a life-long interest in tessellated patterns and visual parados. Despite his popularity the fine art world remained indifferent, seeing his work as more mathematical than lyrical. Maybe so, but he had his own way of seeing – “Escher didn’t just think outside the envelope, he could not accept the existence of envelopes”.

23rd June 2026

Anish Kapoor disorientates, delights and disturbs at the Hayward Gallery

Kapoor likes his art big – think Chicago’s highly reflective “Bean” sculpture – and his new London show follows suit. One installation appears alarmingly like guts and there’s a monumental, “mysterious” upside-down mountain. Some objects are coated with non-reflective black that creates “a space full of what doesn’t exist”. This is vintage Kapoor, messing around with our perceptions. Says he, “Apollinaire’s notion was to take the viewers to the edge and push them over – and that remains fundamental.”