The Easel

18th July 2023

Spotlight on Reynolds at Kenwood House: celebrating the artist who dominated English cultural life in his age

A London show celebrates the 300th anniversary of Reynolds birth. Coverage is mostly deferential – founder of the Royal Academy of Arts, his renowned portraiture and so on. This fawning is all too much for one critic who can’t resist speaking plainly. “Reynolds has no imagination as a painter. [He] doesn’t have enough empathy with his sitters to expose their souls, His portraits are cynical hackwork. A minor talent [who] like the aristocracy, just won’t go away.”

12th July 2023

A World In Common: Contemporary African Photography opens at Tate Modern

So much of the commentary about this show references European colonialism. That’s understandable – colonisers used photography to establish stereotypes of Africa that validated their occupation. Now, photography is a means by which a diverse group of nations express their identity. It’s not a summary of the continent’s photography but, as a critic puts it, “as a document of art as a form of ongoing survival, it’s brilliant”. Images are here.