The Easel

11th July 2023

“Be Original Or Die”: Yevonde’s ’30s Portraits Of High-Society Beauties And Hollywood Stars Are Finally Getting The Attention They Deserve

Colour photography arrived in the 1920’s but its acceptance as art photography took decades. Yevonde was an early exponent, rejecting “wishy washy hand-tinted effects” in favour of vibrant colour. Given the difficulty of colour printing, that was a brave choice and it won her a “glamourous” client list. While some portraits now look stilted and lacking psychological insight, she was among the first to understood that “colour was a potent avenue into the realm of feminine fantasy.”

4th July 2023

Paul McCartney Photographs 1963-64: Eyes of the Storm review – Macca’s remarkable snaps capture the buzz of Beatlemania

Catnip for baby boomers, perhaps an eye roll for others. It’s a given that nothing new can possibly be said about the Beatles, but this show of McCartney’s photography hangs its hat elsewhere. It offers, says the curator, intimate, off-guard moments of someone looking out from “the eye of a [cultural] storm”. Further, even now, it is “hard to find a more unifying embodiment of British identity”. Images are here.