The Easel

Reconsidering Ceramics Iconoclast Peter Voulkos at Burning in Water

A visit to Black Mountain College was Voulkos’ first exposure to New York abstraction. What an impact! He set about redefining ceramics, discarding many of its established practices. In particular, what some regarded as flaws he saw as “spontaneous creative accidents.” Voulkos wasn’t thinking pots anymore but rather expressionist sculpture. He was re-inventing American post-war ceramics.  A video (1 min) is here.