The Easel

28th November 2017

Thomas Ruff at the Whitechapel Gallery

Ruff is one of a group of German artists (the “Dusseldorf school”) who are highly influential in fine art photography. His early interest in close-up portraits has shifted to a focus on manipulating digital images – subverting the adage that ‘the camera never lies’. “[T]his is photography boldly going where no photography has gone before.” An excellent backgrounder on Ruff is here.

Modigliani packs a powerful, emotional punch – Tate Modern, review

Modigliani’s graceful, sensual portraits are instantly recognizable. Are they truly innovative or simply romanticism with a modernist veneer? Did he do more than draw inspiration from contemporary greats – Brancusi, Picasso, Matisse? The doubts persist. “His entire art hangs on the brink of corniness, but you’re charmed into submission by paintings which … are very easy to enjoy.” More images are here.

The time is right for an Erté revival – a new hero for our gender-anxious times

The Paris International Exposition of 1925, showcased art deco and the decorative arts. By then Erte was a global tastemaker, via his cover illustrations for Harper’s Bazaar. And art deco allowed him to range widely – theatre, fashion, jewellery, homewares. Erte’s influence came through his drawings, which best revealed his métier – the romantic flights of fancy that underpin art deco’s enduring popularity. More images are here.