The Easel

23rd September 2025

‘Little Beasts’ at the National Gallery

In the 1500’s, Netherlanders regarded insects as vermin. Once they acquired an empire though, that changed. Artists and the learned classes were wonderstruck at the unknown insects and wildlife being brought in from the colonies. Both male and female artists created work, the best of which was “delightfully intricate and realistic”, seeding the idea of empirical observation. By around 1600, scientific enquiry was seen as separate from philosophy, and natural history was an established discipline. Images are here.

16th September 2025

How a tiny stone from a warrior’s tomb is shaking up ancient Greek art at Getty Villa

Ancient art history. Roman sculpture had its foundations in the Classical Greek (480 BCE onward) and Hellenistic (331 BCE onward) eras. That aesthetic focused on the ideal male form, harmonious proportions and expressive movement. A recent excavation in Greece has yielded a stone carving of a naturalistic male coming from the much older Bronze Age cultures of Minoa or Mycenae. Whatever the carving’s origins “long-settled art history has gotten a jolt”. A backgrounder is here.

Man Ray and the dreams of objects

Man Ray was always chasing the next new idea. In 1921 he placed objects on or near light sensitive paper and then exposed them to light. Voila, the rayogram was created! It led to a decade of experimentation and a dalliance with the surrealists who loved anything that resembled dream imagery. Perhaps the reason the linked piece has such a ‘try hard’ tone is that, with hindsight, the rayogram has proven to be more whimsical historical footnote than enduring idea.