The Easel

4th May 2021

Easel Essay: Arthur Jafa’s swing

Jafa was a fringe figure in the art world when, in 2016, he made the video Love is the Message, The message is Death. Its reputation steadily grew. Last year, it was streamed simultaneously by 13 international museums. Wow! Morgan Meis considers why a seven minute video has made Jafa a major art world figure.

“We’ve been taught how swinging works in music for more than a hundred years. One way to look at Love is the message is to see it as an attempt to … make visual images swing. Swing takes it for granted that how you get from A to B matters just as much as that you get from A to B. [Jafa’s] curation and editing of a bunch of short video clips expresses a deeper aesthetic … that is completely particular and completely universal at the same time.”

The art world knew him as Eli. How Broad was friend and foe to museums

Broad gave generously of his time and money and was instrumental in making Los Angeles a major art destination. Yet his obituaries expose the ambiguities of philanthropy. Large scale philanthropy can create enduring public benefits but, from Broad, it came with a propensity to meddle. Is that any worse than the situation of public museums, blessed with deep collections but hamstrung and exhausted by limited public funding?