The Easel

26th May 2026

Paul Klee

The Nazi’s pursued Klee as a “degenerate” artist. Sacked from the Bauhaus, he went into exile where his art changed. His “wiry, scratchy black line” drawings, previously so often focused on idealised nature, turned to irony and satire as ways to confront fascism and political violence. This interpretation isn’t explicit in his work leading to complaints of “curatorial over-reach”. However, such criticism seems to deny the obvious that, disenfranchised by the Nazi’s, Klee would respond through his art.

19th May 2026

‘It’s Personal’: Aerin Lauder Zinterhofer and Max Hollein on the Met’s Groundbreaking Merger With the Neue Galerie

Successful museums rarely merge. This merger of New York’s Met and the Neue Galerie is described as “one of the most significant institutional partnerships in American museum history”. Neue Galerie, with its famous collection of early 20th-century Austrian and German art, brings strength to an area where the Met is (relatively) weak. In return the Met appears to be offering longevity. Says Neue Galerie’s (not immortal) founder “I want to make sure … the Neue Galerie will stay the Neue Galerie.”