The Easel

11th November 2025

100 years of Calder’s circus

Arriving in Paris in 1926, Calder wanted something to announce himself in art circles. He came up with a miniature circus, a work now enjoying a 100th anniversary show. Charm is not its only quality. It shows his interest in movement and his facility with wire, thus foreshadowing his sinuous wire portraits and mobiles. His circus has a whimsical quality much appreciated by art critics of the time. And, with performances that could go for two hours, “Cirque Calder predated performance art by forty years.”

4th November 2025

In the Shadow of Ruth Asawa

It seems this show will be as big a hit in New York as it was in San Francisco. Asawa’s early work was diverse – drawings, watercolours, folded paper, ceramics – but on a visit to Mexico she learned looped wire basketry. Her iconic sculptures soon emerged, in a wide variety of shapes that seemed “inside and outside at the same time”. Later, she tied bundles of wires to make fractal-like arrangements. Once thought “domestic” Asawa’s work “seems to make [the] continuity between all things tangible”.