The Easel

7th February 2023

Giorgio Morandi review – sublime still lives shimmer with mystery and joy

Cezanne’s many studies of apples greatly inspired Morandi. Yet it is the Italian, this writer claims, who made the still life genre a “20th century art form”. How did Morandi do that?  Many critics note the intensity of focus he brought to his modest collections of vases, bottles and dishes. It reflects his respect for life in Bologna, as well as a personal humility. His carefully arranged bottles, so precisely observed, thus come to have a poetic quality – this is art that “aches with humanity and love”.

A history of Spain in 150 objects

New York’s Hispanic Society has loaned out some of its spectacular collection to help pay for renovations. In London the tapestries and ceramics of Spain’s Islamic period impress, but then Velazquez and Goya appear and their paintings carry the show. Critics tip toe carefully around Spain’s brutal colonial record, suggesting that a full reckoning is some way off. Is there a unifying theme to this “four millennia worth of artifacts”? One critic suggests “a sense of Spanish pride”.