The Easel

26th April 2022

The exquisite pottery of Richard Batterham

How does the traditional fit into contemporary art? Working with “tide-like regularity” Batterham handmade beautiful, minimally decorated, stoneware ceramics, using just a small repertoire of designs.  One writer described his work as “for us – ordinary people – not for museums”. His valedictory show in London has received modest coverage. Says the writer, his “simple pieces can shape your sensibility more directly than less accessible fine artworks”.  A video (30 min) is here.

Kawanabe Kyōsai: the demon with a brush

The trade deals forced on Japan by Admiral Perry in 1853 were seen internally as a political and commercial “humiliation”. The consequent political upheaval fascinated Kyōsai. A “masterly” painter, he also had a “mischievous genius” for satire and used it to highlight the dilemma of wanting both Western approval and political autonomy. Today Kyōsai is “one of the best loved chroniclers of Japan’s entry into the modern world”.