The Easel

30th January 2024

600 years late, a forgotten Italian artist gets his first show — and it’s remarkable

If an artist is forgotten for 600 years, shouldn’t art history just move on? In the case of Pesellino, the answer is no. In his short life he won patronage from Florence’s Medici and Rome’s papal court. His few works are small but masterpieces of narrative clarity, finely drafted details and spatial clarity. So, why forgotten? Perhaps simply because his output was small – and often misattributed – and because he liked to collaborate. Says a London critic “the loveliest winter exhibition in years”. More images are here.

19th December 2023

After the British Museum scandal, we’ve lost our faith in art institutions

An English art critic’s summary of 2023 struggles to avoid being a catalogue of art world woes. There have been some positives –notably the stunning Vermeer retrospective. But all those worries. Debate over the Elgin Marbles has turned acrimonious due to British Museum failings in the care of its collection. More broadly, museums are uncertain how to respond to social justice campaigns. Sighs the writer, at least the Vermeer show assures us there is “a huge audience for the Old Masters”.