The Easel

6th August 2019

On Excavation: The Paintings of Mark Bradford

Bradford says some of his abstract works start as a kind of map and “on top of it I lay art history and my imagination”. His works combine painting and collage, the thick surfaces then sanded back to reveal their multiple layers. It’s a kind of excavation, just as looking at art involves “a subtle excavation: we sift through associations and memories [attempting] to move from our own experience more fully into the space of the artwork”.

30th July 2019

In memoriam: Carlos Cruz-Diez (1923-2019)

Colour, Cruz-Diez realized, is unstable. His influential career was spent making works in which colour changes with the viewer’s position and the surrounding light. Collectively they deal with a central preoccupation of modern art – how we perceive. “[Colours] are permanently in the process of becoming. This work is not happening in the past. It is forever in the present.” Images are here.