The Easel

16th July 2019

Stanley Whitney’s Machine for Painting

Whitney’s paintings have been called ‘portals into colour’. His first museum show in 2015 brought greater attention to his signature grids – saturated colour fields separated by horizontal bands. Whitney admits a debt to other artists – notably Velazquez – but the end results are completely his: “stacks of rectangles seemingly supported by horizontal, shelf-like stripes … compositions [that] are like a liquid Rubik’s cube.”

Howardena Pindell with Toby Kamps

An accomplished career as curator and artist did not bring Pindell the accolades one might expect. Recent high-profile exhibitions have changed this and she is currently “riding a triumphant wave”. This interview is interesting throughout including, sadly descriptions of “microaggressions” against women artists and, especially, against women artists of colour.