Laurie Taylor | Frieze | 15th November 2017
The story goes that Sidibé was invited to parties because his camera had a flash. 1960’s Mali was newly independent and looking to the future. This optimism is perfectly reflected in his dance party images, “the people of post-colonial Bamako affirming their identities and proudly asserting their modernity”. Sidibé, who was eventually widely honoured for his work, died last year.