The Easel

Archives: Frieze

7th July 2026

Frida Kahlo: Tate Mistakes the Icon for the Artist

A writer comments that Kahlo has been “flattened” by mythologizing. Her self-portraits were psychologically revealing and varied, leading to multiple interpretations – her connections with surrealism and with Mexican culture, her challenge to gender expectations. But, with relatively few of her paintings in a London show, which interpretation best captures Kahlo? Forget her iconic images, her true legacy are the works that communicate the “bold examination of the self,” A backgrounder is here.

30th June 2026

How Gabriele Stötzer Defied the Stasi

Life as a defiant artist in East Germany got so tough that Stötzer drew on “furniture, dishes and wallpaper so that I could feel that I existed”. She documented state surveillance methods, portraying them as “artistic”. Her art – mainly drawings, photographs and sculptures – is belatedly being recognised as an extended study of individuality amidst the “web of observation between surveillant, subject and state”. East German art, says a writer, hasn’t disappeared, it is “a part of our collective memory”.