The Easel

Pierre Bonnard review: monumental, monstrous – and rubbish at dogs

Bonnard’s claim to fame is his quiet interiors, sharply framed and with surprising colour juxtapositions. Very good, yes, but enough to make him truly great? The reception to his latest show is positive but few critics seem passionate. “All that colour, all that fidgety brushwork. There is a great deal of niggling about, and piling paint on.”  More images are here.