Yinka Elujoba | The New York Times | 17th September 2020
For some painters a single canvas just isn’t enough. An early series of 60 paintings about African American migration to the North made Lawrence’s name. A later series, reunited for the first time in a half century, describes the early history of the American republic. Lawrence’s “punchy modernist vignettes” tell an “integrationist history … and will come to be seen as a juggernaut among American historical documents”.