The Easel

17th February 2026

Eugène Atget, Readymade Icon

As Paris modernised, Atget had the idea of photographing the old cluttered parts of the city.  It turned into a 30-year project. He didn’t think of himself as an artist, describing his images merely as “documents”. They were utilitarian is style, notably views of buildings taken around dawn when the streets were empty. Somehow those quiet images felt unsettling. Few of his photographs were printed in his lifetime but Atget is now regarded as a “precursor of modern photography”.

10th February 2026

Henri Rousseau’s wild dreams

The strange case of Rousseau. He desperately wanted to be am. artist and managed to exhibit alongside professional artists. Yet his work was “clumsy and maladroit” with stilted figures, skewed perspective and “dogs out of scale”. His jungle paintings, though intended to be realistic, have a dreamlike quality and seem to contain a narrative. Those qualities appealed to the surrealists who promoted his work. Whether his shortcomings were deliberate or simply a lack of capability is still debated.