The Easel

8th July 2025

Turning Style into Power

In the late 1700’s, men’s fashion shifted to a more restrained look. London’s much admired Beau Brummell exemplified a new idea – the dandy, someone who cut a striking figure.  Black men saw being a dandy as a way to assert their individuality and sensuality. Further, elegant attire was “a quiet but confident assertion of self-respect”. Musicians like Miles Davis created a “hip, tailored style” that was widely adopted. A distinctive Black sartorial aesthetic had successfully “subverted … the racial hierarchy”.

Artist Ben Shahn’s Nonconformity

Contemporaries of Shahn called him “overpowering”, a comment that owed much to his passionate support for leftist causes. For him, art was a means to focus attention on social and political issues. Working from photographs, he painted modern-ish figurative works that captured the troubles of the Depression and the hopes of the New Deal. That was Shahn’s career highpoint, after which it declined as the post-war world fell for abstraction. Says one critic, a “revelatory survey”.