The Easel

28th July 2026

Flora Indica unearths botanical drawings. They were lost to colonialism for two centuries

As the East India Company expanded in 19th century India, it funded local artists to document unknown plants. Huge quantities of this botanical art went back to Britain in the search for plants with commercial potential. This art was often intricate and displayed a “compositional sensibility rooted in [Indian] traditions”. In a long “bureaucratic afterlife” back in Britain the work fell into obscurity. Botanical classification became a “system of forgetting“. A review of a related book is here.

21st July 2026

Buckingham Palace’s Royal Picture Gallery Revives the Salon-Style Hang, Doubling the Number of Masterpieces on View

King Charles’ art collection (the one held in trust for the nation) is stonking – Leonardo’s drawings, Vermeer, multiple Rembrandts. A re-hang happens only once every few decades, so the current one is a big deal. It’s not in the style of a white walled gallery but rather “salon” style with the collection’s “best bits” displayed in rows up the walls. Charles likes it this way, apparently. One critic, though, asks why the public are changed an entry fee, unlike “the [free] masterpieces down the road at the National Gallery”.