The Easel

13th December 2022

Adam Pendleton and the issue of originality in the digital age

Pendleton, a New York visual artist, has accused a fashion house of copying his work. Initial coverage seemed sympathetic. Designers want to reflect the current visual language in their work – hence the popularity of Instagram. Pendleton acknowledges, though, that his art, which he posts online, also is part of a “tradition of montage and appropriation”. AI image technologies plunder online imagery, as do artists themselves. As Picasso himself observed, “good artists copy; great artists steal”.

6th December 2022

Ruangrupa in first place in the “Power 100”

Power in the art world, says ArtReview, means an ability to influence the art being shown globally. The magazine’s  power ranking is “not smooth or consistent” and includes the ability to “disrupt”. Top spot went to ruangrupa, the Indonesian art collective that curated Documenta 15. At 100 is a curator of indigenous art in Western Australia. In between is an eclectic mix of artists, gallerists, academics and curators. Not a critic to be seen. Make of it what you will!