The Easel

Zero Gravity

The Rauschenberg retrospective, now in New York, is reviewed in the context of the 1950’s New York art scene. Art for the abstract expressionists was about portraying their inner impulses. Rauschenberg, however, “was interested in making art out of the disparate and impersonal matter of everyday life, the castoffs of commodity culture. He wanted his work to express, not himself, but the strange new world around him.”