Alex Greenberger and Andrew Russeth | ARTnews | 29th November 2018
Morris long resisted the idea of living life according to a single narrative. Building dance props led to his famous grey painted plywood sculptures – the start of minimalism. His later work was diverse – felt, music, land art and more. “‘Simplicity of shape does not necessarily equate with simplicity of experience” he commented. An excellent background interview is here.