Sara Radin | Observer | 21st February 2019
How much of what we see is real, how much cultural myth? Throughout her career Simmons has used props, dolls and makeup to create images of domestic tableaux. “I knew that I wanted to stay in my studio and tell a certain kind of lie, to create a kind of ambiguity”. The linked piece covers her career highlights while a piece that delves into Simmons’ outlook is here.