The Easel

9th September 2025

Francis Newton Souza — the ‘enfant terrible’ of Modern Indian art

For Indian art to emerge from under the British influence, it needed strong characters. Souza was one. Co-founding the Progressive Artists Group in 1947, he aspired to create something both modern and Indian. His broad strokes, figurative distortions and “dark exploration” of religion and sex were seen as disruptive, and he moved to London. It was there, ironically, that he produced a torrent of strong work that now underpins his reputation. Says one writer, “Souza created the visual language of modern India”.

Lisa Yuskavage: Drawings

Yuskavage knows that her impolitic paintings give her a “bad girl” image. She trained in the “highbrow” European figurative tradition but married that with a “lowbrow” vulgar sexuality from popular culture. That contains a tension that attracts much attention, creepy figures depicted with great technical proficiency. She references how women have been portrayed in western art, but the final product still leaves viewers uneasy – is this “the straight-A student [or] the back-of-class troublemaker”?