The Easel

2nd September 2025

Why museum expansion is the drug architects just can’t quit

What comprises “good” museum design? For some decades, the answer seems to have been ‘bigger is better’. Blame for that can be shared–museum directors wanting a bigger brand, ambitious donors, governments seeking tourists. All that ignores the long-standing criticism that museums are places “artworks go not to live but to die”. They should aspire to be “cultural incubators [offering] encounters with authenticity“. Sadly, there is no spreadsheet function to optimise for that.

26th August 2025

Toward Vertigo

Tōgo Murano is hardly known outside Japan. At home though he is revered. He borrowed freely from brutalist, modernist and symbolist styles without becoming a devotee of any. His true allegiance was to sukiya, a refined style originating from tea house designs that has been “loosened up” to accommodate variation. So, what was the power of his designs? “He harnessed irrationality to form a consistent, highly poetic language, a language that somehow worked”. A backgrounder is here.