The Easel

5th November 2024

The rebel painter who ushered in a new era of Indian art

Gaitonde had a liking for silence, perhaps reflecting the multiple artistic influences he was juggling. Although Gaitonde trained in realist Indian miniature painting, both Paul Klee and, later, Mark Rothko made him, as he stated it, a “non-objective” painter. He didn’t mean he was an abstractionist, though it’s difficult to explain the difference. He was, says a writer, a “radical individualist” intent on discovering “not visions of the outer world, but visions of his inner self.” A backgrounder is here.

29th October 2024

The Surprising Power of Piet Mondrian’s Lesser-Known Early Paintings

Mondrian’s elegant grids emerged from a long evolution. At 20, he was painting still lifes in the great Dutch tradition. But he was drifting away from his father’s religious outlook and, in his art, showing a preference for primary colours. Around this time, he painted a puppy with the sun shining on its black and white fur. Although an odd subject, given his later work, it reveals Mondrian as already fascinated with “the interplay of neatly confined precincts of black and white. [It reminds that] looking begets enchantment.”