The Easel

Archives: Financial Times

6th October 2026

Lucie Rie and Hans Coper, two potters united by a shared ambition

Bernard Leach initially dominated postwar British ceramics with rustic brown pots. Rie, an emigre from Germany, offered a refined, modernist alternative. When Hans Coper turned up on Rie’s doorstep looking for a job, one of ceramics great partnerships was formed. They were in some ways opposites – she used colourful glazes and precise designs while he was “a sculptor at heart” and used a stark, restricted palette. Together, “they wanted to make work that would require no explication, no context.” Images are here.

How the French Riviera shaped modern art

World War Two “killed” the Riviera as a state of mind, but before that it was for many an artistic Arcadia. Lured south to escape “the authority of Paris”, artists responded to the bright sunny climate with startling new art. Matisse and Cezanne best illustrate this, painting colours not from life but from their minds – “pink flesh, dark blue sea, light blue sky”. An exhibition of these works re-creates that mindset … an intoxicating story of painting as pure visual joy”. Images are here.