The Easel

Winning Hand

New York Interior (1921) is Hopper par excellence – calm, focused on the commonplace. What makes it a favourite of the writer? “It’s a painting that … takes great bother to extend the tradition of Velazquez and Vermeer – oil painting as a portal to serenity and stillness, to inner life. It has something to do, I think, with the absent needle and thread and with an idea of repair. And it has to do, I feel sure, with people … unseen… unknown.”